Carlie Lopez
sculptor
Upon retirement, having spent several decades at the chalkface with small children, I was confronted with both the time and the need for UNgainful employment. I became a visual arts junkie trying my hand at watercolour, oils, drawing, printmaking and sculpture at various local and regional venues. While enjoying the courses in all mediums, sculpture held for me the greatest appeal.
I was introduced to sculpture by Alan Sommerville (of Anzac Bridge fame) at a summer school in Orange. He was inspirational, and a very amusing teacher. Our course involved carving blocks of aerated concrete into something recognisable with a hammer and chisel.
This led me on a path through carving sandstone and limestone, hand- building pieces and welding scrap metal.
I find the physicality and textural hands-on aspects of sculpting really appealing. Working in 3D is very challenging but also very rewarding when it 'comes out right'. I work purely for the pleasure and satisfaction it brings me and if my work pleases others that is an added bonus.
I have exhibited and sold works at the Watch House many times, but won't be giving up my day job........If I had one...that is!
I was introduced to sculpture by Alan Sommerville (of Anzac Bridge fame) at a summer school in Orange. He was inspirational, and a very amusing teacher. Our course involved carving blocks of aerated concrete into something recognisable with a hammer and chisel.
This led me on a path through carving sandstone and limestone, hand- building pieces and welding scrap metal.
I find the physicality and textural hands-on aspects of sculpting really appealing. Working in 3D is very challenging but also very rewarding when it 'comes out right'. I work purely for the pleasure and satisfaction it brings me and if my work pleases others that is an added bonus.
I have exhibited and sold works at the Watch House many times, but won't be giving up my day job........If I had one...that is!
